From DESIRE.WRIGHT.EDU!taproot-error Fri Jun 24 13:35:11 1994 Received: from desire.wright.edu ([130.108.128.200]) by undergrad.math.uwaterloo.ca with SMTP id <56836-2>; Fri, 24 Jun 1994 13:34:57 -0400 Received: from desire.wright.edu by desire.wright.edu (PMDF V4.2-10 #2485) id <01HDX7ER1T008X2BTY@desire.wright.edu>; Fri, 24 Jun 1994 13:30:57 EDT Date: Fri, 24 Jun 1994 13:30:31 -0400 From: Jeffrey Lo Resent-From: Resent-To: Subject: Help needed with Ragamuffin tab To: taproot@DESIRE.WRIGHT.EDU Errors-to: taproot-error@DESIRE.WRIGHT.EDU Resent-message-id: <01HDX7ER47SY8X2BTY@desire.wright.edu> Message-id: <199406241730.AA12042@iia.org> X-VMS-To: IN%"taproot@DESIRE.WRIGHT.EDU" MIME-version: 1.0 X-Mailer: ELM [version 2.4 PL23] Content-type: text/plain; charset=US-ASCII Content-transfer-encoding: 7bit Resent-Date: Fri, 24 Jun 1994 13:34:56 -0400 Status: OR I've been working on Ragamuffin. I have some tablature out of an old issue of Guitar World magazine but it is really inaccurate in the sections of the song where Hedges shows off his technique. I have typed in the first few measures to get things started. I stopped where Michael starts really slapping around the guitar. I was hoping that someone out there might be able to help me out here. I'll gather up your responses and post a (hopefully) completed tab. Ragamuffin by Michael Hedges tuning: DADGAD (low to high) h = hammer p = pulloff / = slide up \ = slide down ^ = harmonic R = slap with right fingers L = slap with left fingers () = grace note D|--2--h3p2-----0-------------------|----------0-----------------------| A|------------------0------h2--/3---|--3-----------5-------------------| G|----------0-----------------------|------0-----------4-------0--h2---| D|--0-------------------0--h2--/3---|--3-----------5-------5-----------| A|----------------------------------|----------------------------------| D|----------------------------------|----------------------------------| D|--2--h3p2-----5-------------------|--5---------------------------7---| A|--------------0--h5---------------|--5------p0---------------0-------| G|----------0---------------0-------|--------p0---L5--L7---------------| D|----------------------0------L5---|-------p0----L5--L7---------------| A|-----------------------------L5---|------p0--------------0-----------| D|--0--------------------------L5---|-----p0---------------------------| ^^^^^^ I'm not really sure what happens here. He may just be pulling off by dragging his finger (which is barring the fifth fret) across the strings, but that doesn't quite sound right. D|-----h8p7p0-----------------^12---|------------------------------0---| A|--------------8-/10---8-/10-------|--------------------------0-------| G|----------------------------------|--0-----------0---2--p0-----------| D|----------------------------------|------0---3-----------------------| A|------------------0---------------|----------------------------------| D|--8-------------------------------|--5---------------3---------------| D|--------------0-------------------|--0-----------0---------------0---| A|----------0-------3-----------0---|------3-------(3)/5---------------| G|--------------0-------------------|--0-------0-----------0-----------| D|----------3-------3-------3---3---|------3-------(3)/5-------5--\3---| A|------1---------------1---1-------|----------1-----------------------| D|--1-------------------1-----------|----------------------------------| D|--------------0-------------------|--0---------------------------2---| A|----------0-------3-----------0---|------3-----------7---------------| G|--------------0-----------0-------|--0-------0-----------0--h2-------| D|----------3-------3---3-------3---|------3---(3)/7-------------------| A|------1-------------------1-------|------------------0---------------| D|--1-------------------1-----------|----------------------------------| D|-----h3p2-----0-------------------|----------0-----------------------| A|------------------0------h2--/3---|--3-----------5-------------------| G|----------0-----------------------|------0-----------4-------0--h2---| D|--0-------------------0--h2--/3---|--3-----------5-------5-----------| A|----------------------------------|----------------------------------| D|----------------------------------|----------------------------------| D|--2--h3p2-----5-------------------|--5--------------L5-----------7---| A|--------------0--h5---------------|--5------p0------L5-------0-------| G|----------0---------------0-------|--------p0---R7-------------------| D|----------------------0------L5---|-------p0----R7-------------------| A|-----------------------------L5---|------p0--------------0-----------| D|--0--------------------------L5---|-----p0---------------------------| ^^^^^^ These two notes sound slightly different each time he plays them throughout the song. Beware. D|-----h8p7p0---------------0--12---|--------------------------3---2---| A|--------------8-------------------|----------------------------------| G|----------------------0-----------|----------------------------------| D|----------------------------------|----------0---2---3---2---0-------| A|----------------------------------|------0-----------0---------------| D|--8---------------9---------------|-10---------------0---------------| D|-----h3p2p0-----------------------|----------------------------------| A|--0---------------0---------------|----------------------------------| G|--------------0-------------------|----------------------------------| D|------------------------------0---|----------------------------------| A|----------------------3--p0---0---|----------------------------------| D|------------------------------0---|----------------------------------| After this point, I really don't know what Michael is doing. Any help that you could give here would be greatly appreciated. Thanks in advance. =========================================================================== | | | Jeff Lo D|-0-------0-0-0-0-0-0-------0-0-0-0-0-0- | | Crystal Steel Fabricators C|--7------7-7-7-7-7--6------6-6-6-6-6-6- | | Route 2 Box 13 G|---0-----0-0-0-0-0---0-----0-0-0-0-0-0- | | North Second Street Extended C|----7----7-7-7-7-7----6----6-6-6-6-6-6- | | Delmar, DE 19940 G|-----0---0-0-0-0-0-----0---0-0-0-0-0-0- | | (302) 846-0613 D|--------------------------------------- | | loj@iia.org -Jimmy Page | | | =========================================================================== From hikosaka@osk.threewebnet.or.jp Wed Nov 15 23:41:48 1995 Received: from desire.wright.edu (desire.wright.edu [130.108.128.200]) by wired.com (8.7.1/8.7.1) with ESMTP id HAA24625 for ; Wed, 15 Nov 1995 07:50:52 -0800 (PST) Resent-Date: Wed, 15 Nov 1995 07:50:52 -0800 (PST) Resent-From: taproot-error@desire.wright.edu Received: from desire.wright.edu by desire.wright.edu (PMDF V5.0-5 #2485) id <01HXO1WIN61W8ZGUPO@desire.wright.edu> for TAPROOT-EXPAND@desire.wright.edu; Wed, 15 Nov 1995 09:46:50 -0500 (EST) Date: Wed, 15 Nov 1995 23:41:48 +0900 From: hikosaka <@JPNSUT00.BITNET:hikosaka@osk.threewebnet.or.jp> (Hikosaka) Subject: RE:Ragamuffin tips? X-Sender: hikosaka@pop1.osk.threewebnet.or.jp To: taproot@desire.wright.edu Errors-to: taproot-error@desire.wright.edu Resent-message-id: <01HXO1WIRGDI8ZGUPO@desire.wright.edu> Message-id: <199511151441.XAA07846@ns.osk.threewebnet.or.jp> X-VMS-To: IN%"taproot@desire.wright.edu" MIME-version: 1.0 X-Mailer: Eudora-J(1.3.8.5-J13) Content-type: text/plain; charset=iso-2022-jp Content-transfer-encoding: 7BIT Hi HHachr! I guess, the section is; *slide down from 12th flet *to around the 3rd flet D|-----h8p7-0---------------0--12---|--------------------------3---2---| A|--------------8-------------------|----------------------------------| G|----------------------0-----------|----------------------------------| D|----------------------------------|----------0---2---3--p2-----------| A|----------------------------------|------0-----------0---------------| D|--8---------------9---------------|-10-------------------------------| D|-----h3p2p0-----------------------|----------------------------------| A|------------------0---------------|----------------------------------| G|--------------0-------------------|----------------------------------| D|-----------------------------p0---|----------------------------------| A|--1------------------h3------p0---|----------------------------------| D|-------------------------R7--R0---|----------------------------------| *6th string:right hand tap, right hand pull off Another section or for more infomation, e-mail me. Bye, Akihiro ======================================= * Akihiro Hikosaka * E-mail : hikosaka@osk.threewebnet.or.jp =======================================